Happy New Year to all my readers!
I’d like to start 2017 by passing along a story of black and pink. The color combination isn’t new — it was quite popular in the late 1980s and early 1990s, echoing the famous “Silence = Death” AIDS protest poster. I still have a black jacket with a hot-pink lining that my late mother bought me 20 years ago.
Now, apparently, an artist that has restricted other artists from using a particular “black” has been banned from acquiring the “world’s pinkest pink.”
I have no idea why the pink pigment described in the Smithsonian article has that superlative attached to it. The little jar looks about as pink as the hat I’m knitting for the Women’s March on Washington, or perhaps the Hello Kitty lens-cleaning kit that a friend gave me. Perhaps most painters make their pinks by blending red and white paints together, rather than buying something explicitly labeled pink.
Anyhow, the artist who isn’t allowed to buy the pinkest pink had previously made some sort of deal that stated he was going to be the only person allowed to make artworks with Vantablack, also known as the world’s “blackest black.” It’s a pigment made out of carbon nanotubes, which are tiny rolled-up sheets of pure carbon. (If the “blackest black” seems to be something out of a military video game, you’re right — it was developed for military applications.) As I’ve written in several short articles in OPN’s newsroom archives, carbon nanotubes can absorb radiation strongly at lots of different wavelengths, extending into the infrared. The artist’s monopoly on Vantablack inspired the pink-pigment manufacturer to keep his creation out of that artist’s hands.
Note that the restriction on using Vantablack applies only to “art”; anyone who wants to use the carbon nanotubes to dampen reflections inside a telescope or make some piece of military hardware invisible to enemies is perfectly able to do so.